nice price deal !!!

huge package with 8 mixes for bones classic >music< speech. >what happened to the music? i remember when we used to dance.< dj bone, trench, samuel l. session, dj 3000, rennie foster, santiago salazar, aaron-carl, stephen brown. colored vinyl.

3 killer from the nrk main man nick harris

orange dot loses himself in halfdrowned flats, tells stories, breaks everything with dry knocking drums. voices appear like northern lights while harmonies brave distorted basses. filigree in detail. like a monolith for the moment.

#3 of mr mills tribute to ufos, night lights, and unexplained phenoma from technos king of the inexplicable.

alltime classic.. also including the robots and the model... pressed on heavy vinyl , reissue, remastered, kling klang digital master, comes with full-size (12 inch) 16 page colour booklet. picture inner sleeve.

fresh from birmingham comes young talent src delivering the >goin out ep< for the rwina imprint. stuffing old school 8-bit sensibilities and new school grime attitude into a blender and hitting puree, src slings sizzling synths and punchy basslines with devastating effect. from the casual g-funk of >goin out< and >sort of a start< to the skank-u-like shuffle of >facepalm< and the danjah-esque >wheres the remote?<, this ep contains grime riddims that will fill every dancefloor with hypercolors, power-ups and neon-lights, like pacman duelling with mario in the dark. with all this in mind, src makes the case that he is one to watch for the future, and with a workrate to match the hype, you can expect a lot more where this came from!
dj support comes from the distinguished likes of starkey, swindle, elijah & skilliam, taz buckfaster, baobinga, terror danjah and many more...

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

future music ep-as featured on deep dish global underground:moscow

fresh from the joys of their darkroom dubs vol.ii compilation sampler, silicone souls label returns with the first in a new >limited vinyl< series. launching things in fine style and making a very welcomed debut on the label are rising stars craig torrance and philip hochstrate with >surgery successful<. on remix duty is one of the leading lights of the dutch and world house scene, boris werner. with a host of open hats, jazzy snare rolls, and crisp drum work, he adapts the dreamy elements of the original to create a wonderful rework.

the new minimalrome series for clubbers in sick-leave! the hacker known for his classic releases with miss kittin comes with a new track called -haunted- which is a kraftwerk, dopplereffekt inspired electro track, with an 808 punching pattern counterpointing a deep analogue bassline enveloped in rich, harmonic pads. on the b side, a remix by feedback remix who delivers a solid acid electro techno work out as we know of some lory d and early passarani works. the second remix is the banda banetti remix (a new minimalrome project) with pulsating acid lines and fast paced hautning techno electro beats. get those strobe lights flashin!! mrx records are sadly limited to 250 copies

we release the vinyl-version from same named album, which was released on treibstoff in january this year. the vinyl focuses most danceable tracks and comes along in a fancy inside-out printed cover, shrinkwrapped.
supported by luciano, chloe, dj seb / minilogue, richie hawtin, slam and many more ...

a fine selection!!

after his big release on the clone loft supreme series, and great tracks on prime numbers and philpot mr dokes is back in the spot lights. here another intense three track ep with tracks that ll give you goose bumps all over. with his special way of programming, his dramatic strings and light piano play and shuffling house beats this is one of those artists with a special musical finger print that one recognizes out of thousands. a rare talent which puts more value on playing with his moods and emotions instead of aiming in straight dancefloor power. this 12 is building on what he started with the chicago pimp release... pure house tracks with a deep irresistible drive combined with joyful keys and seductive strings. some magic tracks from mr dokes!

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

incl strong remixes by will saul & tam cooper and michel cleis

sci-fi techno from jeff mills on his new axis sub-label something in the sky. fans of classic mills style techno and ufos will not be disappointed

excellent abe duque records special 3x 12 inch vinyl pack, contains tracks & remixes from abe duque, joey beltram, jay haze & glf

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

solid emotional techhouse, modern !!! flipside with a nice appleblim & komonazmuk dubstep remix

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

all the way from new zealand to the urban landscapes of berlin, simon beeston is a man who likes diversity. this is not just evident in his choice of residence, but also in his musical output. following an ep on highgrade digital and a track on our various artists vol. vi record, simon now presents dusty back room, his first solo 12inch release on highgrade. the ep opens with the title track dusty back room, a track of strings and stabs, and a sound not exactly typical of previous highgrade releases. but when the music comes with such compelling energy and provocative atmosphere, were prepared to make an exception. new zealand meets berlin as we cast an eye over green landscapes and ocean swells, while the bumpy groove intoxicicates us with its magic spell. that simon beeston is a man of great contrast is clearly evident on the b-side with neon cringe and cymbolic. the percussive heat of the club brings us back from the organic landscape of his homeland and into the neon lights of the night. neon cringe resonates with a healthy dose of acid pump, while cymbolic provides a bass driven journey complete with cut up vocals and blistering cymbal rolls. this is a release that richly deserves its round number: highgrade number 70. especially with the addition of the bonus digital track tough luck, another highlight all of its own.

finally a full ep by d marc cantu (1/2 of 2am/fm and under other aliases involved in collabos with traxx). technically its the follow up to his cult hit no control (creme jak 02, today a highly sought after 12inch) and in good h-h-h-house fashion this ep contains a ball busting jtc remix of this anthem. but the centre piece must be the title track one of the most emo-simplo jak trax weve ever heard here at the office. starting out simple enough with a single finger synth line (like the musings of a retarded secretary), it mutates into a big wailing distorted saxophone (or a mating whale, who knows?), this puppy will fill your room and throw everybody into an instant k-hole. hey, if that dont sound appealing check the soundclips for proof, its pure liberation... nay rebirth! more floor destroying crazyness on the flipside, but were all out of steam describing it. jak jak jak

hi quality nu disco work from scandi’s best kept secret kool dj dust !!

‘sizzled sally’ has caused many a storm on dancefloors this summer, an unforgettable treat of a record from the refreshing palette of mic newman. title track ‘sizzled sally’ is the most requested and hyped murmur release to date, the sound of the past meeting the present in an original and winning recipe. slices of piano and rapturous vocal screams unite in a sharp evocative atmosphere, forming the heart of the track that stays with you long after the lights come up. b side ‘5 o’clock’ is another late night burner, stocked with an arsenal of funk and fired out with great velocity

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

their debut ep comes on alphahouse records, and is turning heads as a late-night monster. need a mental picture? imagine classic g-man, strobe lights, smoke machines, and a cavernous berghain style freak show. the duo slyly manage to push the tracks in many directions, looking back to a time before ableton-warped bootlegs and cheap production techniques, all the while maintaining a standard that feels fresh and experimental. some of us are searching for more. with this record, we approach closer to that groove than ever.

supplement facts records is excited to welcome yakine to the label! the hot french producer has already added the fantastic zenalia to supplemental compilation you never walk alone and after releases on circus company, je taime and esperanza, is in the form of his life. his blend of contemporary house music, with a playful touch has seen him become a regular in the record boxes of the biggest names. he is one of the shining lights of the parisian house scene, and has one of the brightest residencies in the city at weirdo magnet @ rex club. today we bring you his maissade ep

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

back to jack with steve summers... his debut release was the big surprise for everyone... the best vintage (acid) house tracks we could wish. and more of that intense classic house music on the follow up. here in our office we have people shouting rewind rewind and flashing the lights on and of as fast as possible when we play this! a must have for all fans of larry heard, joe lewis etc. big tip!

another fresh face for the vastness we like to call minimal techno. a few months ago, javier logares tracks for bar 25s little sub-sister bar25digital went down a storm, so it was about time to introduce his music to the vinyl world of bar 25.
>elastic doll< is a cheeky bouncing piece of minimal techno with a marching bassline and a handful of dancing bleeps at all the right places. this elastic doll will lure you right into afterhour debauchery.
on >the wrong clue< javier dims the lights and sets a more haunting tone with an eerie synth-melody and bleeps, that slowly but surely crawl up your spine. seriously tripping stuff this is.

call it house, call it old school, call it new rave breaks, call it warehouse... call it whatever you like. what matters is the aquasky crew has designed two storming cuts to make the ladies bounce and the fellas break as the lights flicker and the speakers shake!

some sublime athmospheric techno tracks that go somewhere between dubstep, detroit techno and broken beat / garage. roof light did an excellent job on this 4 track ep with tracks that are light but full of emotion and athmosphere. radiance is for sure one of the high lights with its minimal funky bass line and cut up beats and massive strings layered on top. around here is the main track with its 90s two step rhythm and its deep athmospheric sounds and vocals. ltj bukem goes dubstep? not sure who is the producer... but if its a debut its pretty impressive. great release! must have for all the martyn and 2562 fans!

contributions by the game feat chris brown, usher, p diddy, mario winans and boyz ii men, 50 cent, yung berg feat loco, jamie foxx feat ne yo and riz nwosu!

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

waajeed (slum village/bling 47) and saadiq with one of the most talked about albums of 2005. feat jay dee, sa-ra, spacek, lacks, tiombe lockhart, invincible, georgia anne muldrow, taraach and others!!

the original instrumental mix of stardust was one of hed kandis favourites at el divino last summer, and with the new season already taken off with the ims and the opening fiestas last week, ibiza is the perfect place to drop the new vocal mix, which really sounds like the long awaited vocal version of pjanoo that has never seen the lights of the day. this adds a monster loleatta holloway sampling vocal to the large twisted disco groove of the original. a massive bomb that is set to be a big hit for the usuals! skylarks andy chatterley takes to the controls with a powerful interpretation, complete with sharp driving drums and an underlying techno rhythm. a more stripped down dub mix is enclosed also for those who like things a little bit darker and deeper. last but no by means least, tim hudson, fresh from his latest here comes the sun release on hysterical, turns in a hypnotic house groove to make you smile.

full support from: laurent garnier, federico molinari, mihai popoviciu, anthony collins, andrew grant, gabriel le mar, james talk, tim green, tom wax, petar dundov, heiko laux, tato, jaumetic, estroe, shonky, dj stapfi, karotte,.

jay haze(tuning spork) lends his analog ways to abe+blakes classic >disco lights<. the release includes a recut version of the original track ad well(adr07). the haze mix is thick and thumps. deep chords and deeper bass. a warm house version that keeps baxter lighting the way.

supported & played by: loco dice • davide squillace • marco carola • rino cerrone • paco osuna • joseph capriati • someone else • dandi & ugo • maurizio vitello • kaiserdisco • matteo spedicati • guido memola
this ep showcases 3 tracks that collects utos own distinct imprint.
>kids game< gives the name of the ep. it s build on a groovy bassline with a superb break, for a great dancefloor killer. >city lights< shows utos funky tech style, while >be like b.l.< is a more relaxed tune.a great ep with complex construction that will surely be played out by all the big names.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

alcohol, drugs, overdrive, noise, neon lights, party people, revolution, rave is king ! . this could be mr fukkk offf moto, this crazy german guy, signed on coco machete for his album, gave us two banging electro-house party anthems bloodfuck & i give you bass. bastian heerhorst, better known as fukkk offf, from hamburg germany, had nearly every blog on his shit last year, and you know why ? just because hes not kidding, this is just dancefloor stuff, nothing else, but surely it works

a 1977 classic bob marley re-released on 180 gram vinyl - full relief print sleeve edition . a must have!

although jaxson and keno both have successful solo projects and have previously worked together before, this collaboration is bound to be their most notable release yet. a fusion of house, funk, latin and techno, all meet at the crossroads of their studios for a 4 track ep of sundry beats and fresh flavors. clearly the a-side, >tout le temps< is comprised of a clever hook and a hazy latino vocal sample, which carries the initial groove right into an originally played synth section. a good example of a refreshing approach to adding effects and using sounds. >tarantella< as the title might suggest, one might expect a track that would scare the living day lights out of you, but it has more of a >creeping up from behind you< sort of vibe. a subtlety creeping groove subliminally enters your unconscious mind carrying a secret message. what is that message you ask? dance! the congas on, >red baron< sound so live you can almost here the players licking their fingers. congas might be the groove in the heart of this tune, but the melody of the slick synth stabs and rising strings are what ultimately breath energy and spunk into this roller. >karate kid< initially has a minimal feel, but once the hacked up guitar and vocals come in, you can put those dirty thoughts to rest. abundant with an overwhelming amount of unique and interesting sounds, secure this tunes ability to prick up the ears of finicky djs and clubbers alike. it is rare to find such a wide variation of sound design on your run of the mill ep, but kindisch has proved they are not an ordinary label. they are consistently releasing quality tunes and always providing pleasant surprises. some might say it is a clichÚ, but this ep really does have a bit of something that will drive one club or another nuts

at an epic nine minutes in length, light through the veins from hopkins first album in four years is a work of classic, hypnotic electronica. it draws the listener in with each pure, serpentine note, rises to a propulsive, euphoric climax, before finally dissolving into an ending of heartrending beauty and sadness. the 12inch release is backed with a remix from one of electronic musics most respected producers and djs, ewan pearson, who has delivered a 15 minute future balearic classic. the 12inch will also feature legendary dj, musician and composer david holmes remix - a krautrocking, psychedelic jam from outer space.